A terse lookup for the master-section controls. See
The Master band and
MPE and MIDI-learn.
| Control | What it does | Range / values |
|---|
| Gain | Output volume. | dB |
| Clip | Master-output safety clipper (a character stage): Off is bit-exact (can overshoot), Soft rounds peaks gently, Hard brick-wall clips to stop overs reaching the host. | Off / Soft / Hard |
| Limiter | Master brickwall limiter: zero-latency, stereo-linked, sits last in the master chain so the output can never clip. Off is bit-exact. | Off / On (default Off) |
| Limiter Ceiling | The level the limiter holds the output below, in dBFS. | -3 to 0 dBFS (default -1.0) |
| Limiter Release | How fast the limiter’s gain glides back toward unity between peaks. | 30 to 500 ms (default 100) |
| Quality | Internal oversampling rate: higher reduces aliasing on bright or distorted patches at a CPU cost. | 1x / 2x / 4x / 8x |
| Auto-HQ | Force maximum oversampling on offline render (bounce) while keeping the live setting for playback. | Off / On |
The summed-voice bus stage, both bypassed at zero.
| Control | What it does | Range / values |
|---|
| Glue | Analog-summing saturation on the whole mix: near-clean when quiet, soft-compresses and shares one harmonic fingerprint across every voice as the mix runs hot (zero is bypass). | 0 to 100 % |
| Warmth | Shifts the Glue colour from purely odd toward an even-harmonic console asymmetry (only audible when Glue is up). | 0 to 100 % |
| Sag | Models the shared power rails drooping under heavy polyphony, so loud chords duck slightly then bloom back (zero is bypass). | 0 to 100 % |
| Depth | How far the rails sink at full load, the maximum duck of the Sag effect (only audible when Sag is up). | 0 to 100 % |
| Time | Speed of the sag: fast is a snappy duck-and-bloom, slow is a loose, breathing recovery (only audible when Sag is up). | fast to slow |
| Control | What it does | Range / values |
|---|
| MPE | Enables per-note expression: each note carries its own pitch-bend, pressure and slide from an MPE controller, routable as per-note modulation. | Off / On |
| Bend Range | Per-note pitch-bend range in semitones; match it to your controller so slides bend the intended interval. | 1 to 96 semitones |
| Control | What it does | Range / values |
|---|
| Source | Which point in the signal path the scope taps. | Master / Pre-FX / Filter / Osc |
| Source 2 | A second overlaid trace from another tap point for comparison, or Off for a single trace. | Off / Master / Pre-FX / Filter / Osc |
| Mode | Wave draws the signal over time; XY plots the two sources against each other (a vectorscope for stereo width and phase). | Wave / XY |
| Trigger Slope | Whether the trace starts on a rising or falling crossing of the trigger level. | Rising / Falling |
| Trigger Level | The amplitude the trace waits to cross before it draws, stabilising a repeating waveform. | signed |
| Freeze | Holds the current scope trace. | Off / On |
| Timebase | Scope zoom over the time axis. | zoom |