Master, MPE, and scope

A terse lookup for the master-section controls. See The Master band and MPE and MIDI-learn.

Master output

Control	What it does	Range / values
Gain	Output volume.	dB
Clip	Master-output safety clipper (a character stage): Off is bit-exact (can overshoot), Soft rounds peaks gently, Hard brick-wall clips to stop overs reaching the host.	Off / Soft / Hard
Limiter	Master brickwall limiter: zero-latency, stereo-linked, sits last in the master chain so the output can never clip. Off is bit-exact.	Off / On (default Off)
Limiter Ceiling	The level the limiter holds the output below, in dBFS.	-3 to 0 dBFS (default -1.0)
Limiter Release	How fast the limiter’s gain glides back toward unity between peaks.	30 to 500 ms (default 100)
Quality	Internal oversampling rate: higher reduces aliasing on bright or distorted patches at a CPU cost.	1x / 2x / 4x / 8x
Auto-HQ	Force maximum oversampling on offline render (bounce) while keeping the live setting for playback.	Off / On

Console bus stage

The summed-voice bus stage, both bypassed at zero.

Control	What it does	Range / values
Glue	Analog-summing saturation on the whole mix: near-clean when quiet, soft-compresses and shares one harmonic fingerprint across every voice as the mix runs hot (zero is bypass).	0 to 100 %
Warmth	Shifts the Glue colour from purely odd toward an even-harmonic console asymmetry (only audible when Glue is up).	0 to 100 %
Sag	Models the shared power rails drooping under heavy polyphony, so loud chords duck slightly then bloom back (zero is bypass).	0 to 100 %
Depth	How far the rails sink at full load, the maximum duck of the Sag effect (only audible when Sag is up).	0 to 100 %
Time	Speed of the sag: fast is a snappy duck-and-bloom, slow is a loose, breathing recovery (only audible when Sag is up).	fast to slow

Scene-B bus stage

With SEQ: Per-Scene (Voice panel), Scene B carries its own copy of the console bus stage, scB_-prefixed, so each scene sums through its own glue and sag. Same ranges and defaults as the scene-A controls above (all default to bypass).

Control	Parameter	What it does	Range / values
B Bus Sat	scB_busSatAmount	Scene B’s summing saturation (“glue”).	0 to 100 % (default 0)
B Bus Sat Character	scB_busSatChar	Scene B’s glue colour, odd toward even-harmonic.	0 to 100 % (default 50 %)
B PSU Sag	scB_busSagAmount	Scene B’s power-supply sag amount.	0 to 100 % (default 0)
B PSU Sag Depth	scB_busSagDepth	How far Scene B’s rails sink at full load.	0 to 100 % (default 50 %)
B PSU Sag Time	scB_busSagTime	Speed of Scene B’s sag droop and bloom.	fast to slow (default 50 %)

MPE

Control	What it does	Range / values
MPE	Enables per-note expression: each note carries its own pitch-bend, pressure and slide from an MPE controller, routable as per-note modulation.	Off / On
Bend Range	Per-note pitch-bend range in semitones; match it to your controller so slides bend the intended interval.	1 to 96 semitones

Scope and analyzer

Control	What it does	Range / values
Source	Which point in the signal path the scope taps.	Master / Pre-FX / Filter / Osc
Source 2	A second overlaid trace from another tap point for comparison, or Off for a single trace.	Off / Master / Pre-FX / Filter / Osc
Mode	Wave draws the signal over time (phosphor oscilloscope); XY plots the two sources against each other (a vectorscope for stereo width and phase); Spectrum is an FFT frequency analyzer (log-frequency axis, with peak-hold); Spectrogram is a scrolling frequency-vs-time waterfall.	Wave / XY / Spectrum / Spectrogram
Trigger Slope	Whether the trace starts on a rising or falling crossing of the trigger level (Wave mode).	Rising / Falling
Trigger Level	The amplitude the trace waits to cross before it draws, stabilising a repeating waveform (Wave mode).	signed
Freeze	Holds the current display.	Live / Frozen
Timebase	Scope zoom over the time axis (Wave mode), shown as a sample window.	zoom

The readouts strip along the top of the display shows PEAK and RMS level in dB, plus an estimated PITCH (frequency and nearest note name). PITCH is hidden in XY mode.